ARTICLES
Dis-orientalizing Bollywood: Incorporating Indian popular cinema into a survey film course
By Sheila J. Nayar
Rom-com without romonormativity, gays without homonormativity: examining the People Like Us web series
By Eve Ng
Romantic female friendships as resistance: subversive web series in the United States and India
By Molly Bandonis and Namrata Rele Satje
Highroads and skyroads: mountain roadbuilding in U.S. government films of the 1920s and ‘30s
By Jennifer Lynn Peterson
A gasp of air: posthuman intimacies in Tejal Shah’s Between the Waves
By Lakshmi Padmanabhan
Mask in the Museum: the impossible gaze and the Indian artifact in Verbinski’s The Lone Ranger
By John Michael Corrigan
Reawakening in Yoorana: Glitch and the Australian Gothic film
By Stuart Richards
Self-referentiality and neoliberalism in contemporary Argentine cinema
By Natália Pinazza
Sway of the sea: Kathryn Bigelow’s imperial eco-eschatology
By Benjamin Halligan
Ever-changing readjustments: the political economy of the Hong Kong International Film Festival (HKIFF)
By Ruby Cheung
Western Unsettlement: Transcontinental journeys, comic plotting and Keaton’s Go West
by Charles Wolfe
Kevin Chew, ‘Humanity rising from the depths of brine’: an oceanic politics in Disney’s Moana
by Kevin Chew
REVIEWS
New Hong Kong cinema: transitions to becoming Chinese in 21st-Century East Asia
Review by Leung Wing-Fai
by Ruby Cheung, New York and Oxford, Berghahn Books, 2016, 320 pp., £60 (hardback), ISBN 9780197603826
Contemporary Peruvian cinema: history, identity and violence on screen
Review by Andrea Meador Smith
by Sarah Barrow, London, I.B. Tauris, 2018, 256 pp., $85.50 (hardback), ISBN 9781784538217
Cinema against doublethink: ethical encounters with the lost pasts of world history
Review by Mani Sharpe
by David Martin-Jones, London and New York, Routledge, 2019, 258 pp., $46.95 (paperback), ISBN 9781138907959
BLOG
The Politics and Pedagogy of East Asian Cinema at an American University
By Tim Shao-Hung Teng
