Peer-Reviewed Articles
‘Englishmen could be proud then, George’: echoes of empire in Tinker Tailor Soldier Spy (BBC 1979)
By Philip Kiszely
The Poetics of Obsession: Understanding Kathryn Bigelow’s Characters
By Christa Van Raalte
Megan Turner (Jamie Lee Curtis) in Blue Steel (Bigelow 1990)
How does she look?: Bigelow’s Vision/Visioning Bigelow
By Deborah Jermyn
Misha Kavka, “A tale of two masculinities: Joaquin Phoenix, Todd Phillips, and Joker’s double can(n)on”
Martin P. Rossouw, “There’s something about Malick: film-philosophy, contemplative style, and ethics of transformation”
Jamie Sexton, “Creeping decay: cult soundtracks, residual media, and digital technologies”
Thomas Elsaesser, “Contingency, causality, complexity: distributed agency in the mind-game film”
Thomas Elsaesser, “Media Archaeology as Symptom”
Introductions to Special Issues
Frances Pheasant-Kelly, “Innovating the Frame: Kathryn Bigelow in Close-Up”
Sean Redmond, “That joke isn’t funny anymore: a critical exploration of Joker: Introduction”
Maria San Filippo, “Radical rom-com: not an oxymoron”
Jean-Thomas Tremblay, “Breath: image and sound, an introduction”
Philippe Gauthier, “What will film studies be? Film caught between the television revolution and the digital revolution”
Anna Cooper, “Neoliberal theory and film studies”
Matt Hills & Jamie Sexton, “Cult Cinema and Technological Change”
Lydia Papadimitriou & Jeffery Ruoff, “Film festivals: origins and trajectories”
Paolo Russo & Lindsay Steenberg, “Imagining the post-forensic landscape: the crime drama on transnational television”
