Peer-Reviewed Articles
Suggestive verbalizations in film: on character speech and sensory imagination
By Julian Hanich
‘Englishmen could be proud then, George’: echoes of empire in Tinker Tailor Soldier Spy (BBC 1979)
By Philip Kiszely
The Poetics of Obsession: Understanding Kathryn Bigelow’s Characters
By Christa Van Raalte
Megan Turner (Jamie Lee Curtis) in Blue Steel (Bigelow 1990)
How does she look?: Bigelow’s Vision/Visioning Bigelow
By Deborah Jermyn
By Joel Frykholm
“A tale of two masculinities: Joaquin Phoenix, Todd Phillips, and Joker’s double can(n)on”
By Misha Kavka
“There’s something about Malick: film-philosophy, contemplative style, and ethics of transformation”
By Martin P. Rossouw
“Creeping decay: cult soundtracks, residual media, and digital technologies”
By Jamie Sexton
“Contingency, causality, complexity: distributed agency in the mind-game film”
By Thomas Elsaesser
“Media Archaeology as Symptom”
By Thomas Elsaesser
Introductions to Special Issues
Towards a catalogue of cine-genres
By Nathan Holmes and Colin Williamson
“Innovating the Frame: Kathryn Bigelow in Close-Up”
By Frances Pheasant-Kelly
“That joke isn’t funny anymore: a critical exploration of Joker: Introduction”
By Sean Redmond
“Radical rom-com: not an oxymoron”
By Maria San Filippo
“Breath: image and sound, an introduction”
By Jean-Thomas Tremblay
“What will film studies be? Film caught between the television revolution and the digital revolution”
By Philippe Gauthier
“Neoliberal theory and film studies”
By Anna Cooper
“Cult Cinema and Technological Change”
By Matt Hills & Jamie Sexton
“Film festivals: origins and trajectories”
By Lydia Papadimitriou & Jeffery Ruoff
“Imagining the post-forensic landscape: the crime drama on transnational television”
By Paolo Russo & Lindsay Steenberg
