Peer-Reviewed Articles
Of fleas and Parasite: unpacking class and space in Bong Joon-ho’s Barking Dogs Never Bite
By Bonnie Tilland and Beth Tsai
![](https://nrftsjournal.org/wp-content/uploads/2023/10/4902.jpg-1024x768-1.webp)
‘Unique joy’: Netflix, pleasure and the shaping of queer taste
By Clara Bradbury-Rance
![](https://nrftsjournal.org/wp-content/uploads/2023/10/Image-1.jpeg)
Melancholy, respectability, and credibility in Sean Baker’s Tangerine
By Paige Macintosh
![](https://nrftsjournal.org/wp-content/uploads/2023/10/Image-2.jpg)
Child spectators: towards a phenomenological perspective on the imaginary transformations of reality
By Bettina Henzler
![](https://nrftsjournal.org/wp-content/uploads/2023/10/Figure_01-1024x575-1.jpg)
‘Humanity rising from the depths of brine’: an oceanic politics in Disney’s Moana
By Kevin Chew
![](https://nrftsjournal.org/wp-content/uploads/2023/03/moana_d106fd9d-1024x410.jpeg)
Cinematic cultures of descent: the other sides of the mountaineering story
By Eva-Maria Müller
![](https://nrftsjournal.org/wp-content/uploads/2023/03/Mueller-North-Face.jpeg)
Imagining Taking Tiger Mountain (by strategy): two landscapes of the Anthropocene, 1970 and 2014
By Sean Cubitt
![](https://nrftsjournal.org/wp-content/uploads/2023/03/Cubitt-Taking-of-Tiger-Mountain.jpeg)
Sonic modernities: capitalism, noise, and the city essay film
By Laura Rascaroli
![](https://nrftsjournal.org/wp-content/uploads/2023/03/1-1024x575.png)
Representing public service and post-militariness in Bodyguard (BBC,2018)
By Katy Parry
![](https://nrftsjournal.org/wp-content/uploads/2022/02/Parry-1.jpg)
Suggestive verbalizations in film: on character speech and sensory imagination
By Julian Hanich
![](https://nrftsjournal.org/wp-content/uploads/2022/03/image5-1.png)
‘Englishmen could be proud then, George’: echoes of empire in Tinker Tailor Soldier Spy (BBC 1979)
By Philip Kiszely
![](https://nrftsjournal.org/wp-content/uploads/2022/01/NRFTS-Kisley-Image.jpeg)
From the extraordinary to the everyday: discourses on American quality serial television in Sweden’s leading newspapers and the breakthrough of streaming TV
By Joel Frykholm
![](https://nrftsjournal.org/wp-content/uploads/2021/06/1280x720-hbo-nordic-isic_student_discount_2021.jpg)
The Poetics of Obsession: Understanding Kathryn Bigelow’s Characters
By Christa Van Raalte
![](https://nrftsjournal.org/wp-content/uploads/2021/05/Kathryn-Bigelow-and-the-Grammar-of-Obsession.jpg)
How does she look?: Bigelow’s Vision/Visioning Bigelow
By Deborah Jermyn
![This image has an empty alt attribute; its file name is How-does-she-look-Bigelows-VisionVisioning-Bigelow-719x1024.jpg](https://nrftsjournal.org/wp-content/uploads/2021/05/How-does-she-look-Bigelows-VisionVisioning-Bigelow-719x1024.jpg)
A tale of two masculinities: Joaquin Phoenix, Todd Phillips, and Joker’s double can(n)on
By Misha Kavka
![](https://nrftsjournal.org/wp-content/uploads/2020/12/5a-Seller-Figure-1-3-1024x564.jpg)
There’s something about Malick: film-philosophy, contemplative style, and ethics of transformation
By Martin P. Rossouw
![](https://nrftsjournal.org/wp-content/uploads/2020/12/Malick-1024x502.jpg)
Creeping decay: cult soundtracks, residual media, and digital technologies
By Jamie Sexton
![](https://nrftsjournal.org/wp-content/uploads/2020/12/Possession-1024x576.jpg)
Contingency, causality, complexity: distributed agency in the mind-game film
By Thomas Elsaesser
![](https://nrftsjournal.org/wp-content/uploads/2021/06/inception-top-1280x720-1-1024x576.jpg)
Media Archaeology as Symptom
By Thomas Elsaesser
![](https://nrftsjournal.org/wp-content/uploads/2022/04/Film-History-as-Media-Archaeology-–-Tracing-Digital-Cinema.jpg)
Introductions to Special Issues
Towards a catalogue of cine-genres
By Nathan Holmes and Colin Williamson
![](https://nrftsjournal.org/wp-content/uploads/2021/11/Gunning.jpeg)
Innovating the Frame: Kathryn Bigelow in Close-Up
By Frances Pheasant-Kelly
![](https://nrftsjournal.org/wp-content/uploads/2021/09/BIGELOW-LOGO-1024x576-1.png)
That joke isn’t funny anymore: a critical exploration of Joker: Introduction
By Sean Redmond
![](https://nrftsjournal.org/wp-content/uploads/2021/03/joker.jpg)
Radical rom-com: not an oxymoron
By Maria San Filippo
![](https://nrftsjournal.org/wp-content/uploads/2021/06/image.jpg)
Breath: image and sound, an introduction
By Jean-Thomas Tremblay
![](https://nrftsjournal.org/wp-content/uploads/2020/12/breath-1024x576.jpg)
What will film studies be? Film caught between the television revolution and the digital revolution
By Philippe Gauthier
![](https://nrftsjournal.org/wp-content/uploads/2020/12/graphic-1.jpg)
Neoliberal theory and film studies
By Anna Cooper
![](https://nrftsjournal.org/wp-content/uploads/2020/12/neoliberalism-edited.jpg)
Cult Cinema and Technological Change
By Matt Hills & Jamie Sexton
![](https://nrftsjournal.org/wp-content/uploads/2020/12/Shining-BTS-Cover-Image-1.jpg)
Film festivals: origins and trajectories
By Lydia Papadimitriou & Jeffery Ruoff
![](https://nrftsjournal.org/wp-content/uploads/2020/12/chicago-film-festival-1800x900-1-1024x512.jpg)
Imagining the post-forensic landscape: the crime drama on transnational television
By Paolo Russo & Lindsay Steenberg
![](https://nrftsjournal.org/wp-content/uploads/2020/12/crime.jpg)