ARTICLES
Melancholy, Respectability, and Credibility in Sean Baker’s Tangerine
By Paige Macintosh

Did Neorealism start in church? Catholicism, cinema and the case of Mario Soldati’s Chi è Dio?
By Daniela Treveri Gennari and Marco Vanelli

Brooklyn: gendered Irish migration to the United States
By Carolina Rocha

Problems with Kubrick: reframing Stanley Kubrick through archival research
By James Fenwick
