ARTICLES
‘Re-imagining’ the canon: examining the discourse of contemporary horror film reboots
By Joe Tompkins
CINEMA AS SECOND SKIN: Under the membrane of horror film
By Tarja Laine
‘Look Out Behind You!’ Grounding suspense in the slasher film
By Maarten Coëgnarts and Miklós Kiss
‘Thrills and chills’: horror, the woman’s film, and the origins of film noir
By Mark Jancovich
Rethinking genre studies through distribution analysis: issues in international horror movie circuits
By Ramon Lobato and Mark David Ryan
Dead, but still breathing: the problem of postmortem movement in horror films
By David Scott Diffrient
Poetics of early Hammer horror films: a statistical style analysis
By Jonathan Olliver
Activist horror film: the genre as tool for change
By Johnny Walker
‘From grade B thrillers to deluxe chillers’: prestige horror, female audiences, and allegories of spectatorship in The Spiral Staircase (1946)
By Tim Snelson
Commodity horror: Videodrome and the industrialisation of Canadian culture
By Harry Warwick
The feminine appeal of British horror cinema
By Alison Peirse
Get Out and the legacy of sundown suburbs in post-racial America
By Elizabeth A. Patton
Losing control: Until Dawn as interactive movie
By Tanine Allison
Cronenberg’s anesthetics (virtual flesh)
By Timothy Holland
Creeping decay: cult soundtracks, residual media, and digital technologies
By Jamie Sexton
Hold me, thrill me, kiss me, kill me: the ambivalent queer of post-network television
By Andrew J. Owens
Dis/liking disgust: the revulsion experience at the movies
By Julian Hanich
Theatre of thrills: the culture of suspense
By Frank Krutnik
REVIEWS
New blood in contemporary cinema: women directors and the poetics of horror
Review by Rose Steptoe
by Patricia Pisters, Edinburgh, Edinburgh University Press, 2020, 256 pp., $110.00 (hardback), ISBN: 9781474466950
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