Articles
On Xavier Dolan’s Musical Parentheses
By Sergio Rigoletto
![](https://nrftsjournal.org/wp-content/uploads/2022/09/dolan.webp)
Lorna’s Silence and Levinas’s ethical alternative: form and viewer in the Dardenne Brothers
By Joseph Mai
![](https://nrftsjournal.org/wp-content/uploads/2023/07/E60D89F7-2346-4B96-A165-46F1786EEB66.jpeg)
Child spectators: towards a phenomenological perspective on the imaginary transformations of reality
By Bettina Henzler
![](https://nrftsjournal.org/wp-content/uploads/2023/07/B9CC463C-DD5F-4DD1-BFBD-EB99D6041153-1024x576.jpeg)
Doubled visions: reflexivity, intermediality and co-creation in Clouzot’s The Mystery of Picasso and von Trier’s and Leth’s The Five Obstructions
By Daniel Yacavone
![](https://nrftsjournal.org/wp-content/uploads/2023/07/614F8E49-3B0D-4E1A-AD4F-9A0498BAB135.jpeg)
There is no such thing as one realism: systematising André Bazin’s film theory
By Lourdes Esqueda Verano
![](https://nrftsjournal.org/wp-content/uploads/2023/07/51F8C9C1-5024-46A9-9BA7-C338C788EC0E.jpeg)
The filmmaker’s presence in French contemporary autofiction: from filmeur/filmeuse to acteur/actrice
By Lourdes Monterrubio Ibáñez
![](https://nrftsjournal.org/wp-content/uploads/2022/02/Ibanez-3-1024x549.jpg)
Blue is the Warmest Color: or the after-life of ‘Visual Pleasure and Narrative Cinema’
By Linda Williams
![](https://nrftsjournal.org/wp-content/uploads/2021/04/Blue-is-the-Warmest-Color-Adele-Water-1024x576.jpg)
Cruising the unknown: film as rhythm and embodied apprehension in L’Inconnu du lac/Stranger by the Lake (2013)
By Saige Walton
![](https://nrftsjournal.org/wp-content/uploads/2021/04/Stranger-1024x428.jpg)
Grief, ecocritical negativity, and the queer anti-pastoral
By Cameron Clark
![](https://nrftsjournal.org/wp-content/uploads/2021/11/Clark.jpeg)
Awarded 2020 SCMS Queer & Trans Caucus chris holmlund Graduate Student WRiting prize
“Money can’t buy me love”: radical right-wing populism in French romantic comedies of the 2010s
By Mary Harrod
![](https://nrftsjournal.org/wp-content/uploads/2021/11/Harrod-3-edited.jpeg)
Outside and inside the time machines: structure and subjectivity in Alain Resnais’s Je t’aime, je t’aime
By Jackson B. Smith
![](https://nrftsjournal.org/wp-content/uploads/2021/07/figure-5-copy-1024x615.jpg)
The Fabulous Destination of a Cultural Tourist in Paris: Games of make‐believe in Marc Jeunet’s Amélie (2001)
By Gerwin van der Pol
![](https://nrftsjournal.org/wp-content/uploads/2021/11/Amelie-1218-1024x433.jpeg)
The Sound Gag: The use of sound for comic effect in the films of Jacques Tati
By Marijke de Valck
![](https://nrftsjournal.org/wp-content/uploads/2021/05/de-Valck.png)
The Clash between Theater and Film: Germaine Dulac, André Bazin and La Souriante Madame Beudet
By Charles Musser
![](https://nrftsjournal.org/wp-content/uploads/2021/05/Musser-1024x576.jpg)
Pedagogies of the image between Daney and Deleuze
By Garin Dowd
![](https://nrftsjournal.org/wp-content/uploads/2021/04/Deleuze-image-1024x707.jpg)
Portrait of the artist as a pun man: humor and its structures in the films of Jean‐Luc Godard
By Sydney Duncan
![](https://nrftsjournal.org/wp-content/uploads/2021/11/Duncan.jpeg)
Paris, city of shadows: French crime cinema before the New Wave
By Tim Palmer
![](https://nrftsjournal.org/wp-content/uploads/2021/05/Palmer-1024x783.jpg)
What ever happened to West Side Story? Gene Kelly, jazz dance, and not so real men in Jacques Demy’s The Young Girls of Rochefort
By Svea Becker & Bruce Williams
![](https://nrftsjournal.org/wp-content/uploads/2021/05/Becker-Williams-1024x576.jpg)
The ‘New Wave’ of French phenomenology and cinema: new concepts for the cinematic experience
By Julien Guillemet
![](https://nrftsjournal.org/wp-content/uploads/2021/11/Guillemet-2-1-edited.jpeg)
Recurrent phenomena in French film studies: from television to digital media
By Philippe Gauthier
![](https://nrftsjournal.org/wp-content/uploads/2021/11/Gauthier-1-1-edited.jpeg)
Reading the geographies of post-war British film culture through the reception of French film
By Melanie Selfe
![](https://nrftsjournal.org/wp-content/uploads/2021/05/Selfe-1024x780.jpg)
Jacques Rancière and the fictional capacity of documentary
By Nico Baumbach
![](https://nrftsjournal.org/wp-content/uploads/2021/05/Baumbach.jpg)
Jacques Becker and his partners in ‘La Ronde’ of French 50s cinema
By Dudley Andrew
![](https://nrftsjournal.org/wp-content/uploads/2021/05/Andrew-1024x768.jpg)
Jean Louis Schefer: screen memories from L’Homme ordinaire du cinéma
By Tom Conley
![](https://nrftsjournal.org/wp-content/uploads/2021/05/Conley-1024x576.jpg)
What is the French philosophy of cinema? An introduction
By Hunter Vaughan
![](https://nrftsjournal.org/wp-content/uploads/2021/05/Vaughan.jpg)
Blue, on second thought
By Steven Woodward
![](https://nrftsjournal.org/wp-content/uploads/2023/07/45D0B014-6AC5-43FB-9A5F-D6CE5AA33338-1024x576.jpeg)
Tout(e) Varda: the DVD collection as authorworld
By Karen Boyle
![](https://nrftsjournal.org/wp-content/uploads/2021/04/Toute-Varda-1-1024x686.jpg)
Body problems: new extremism, Descartes and Jean-Luc Nancy
By Chelsea Birks
![](https://nrftsjournal.org/wp-content/uploads/2021/11/Birks-edited.jpeg)
Post-deconstructive realism? Nancy’s cinema of contact
By Laura McMahon
![](https://nrftsjournal.org/wp-content/uploads/2021/11/Nancy-edited.jpeg)
Introduction to Christian Metz’s Impersonal Enunciation, or the Place of Film
By Cormac Deane
![](https://nrftsjournal.org/wp-content/uploads/2021/11/93713578_136724106474-1-edited.jpeg)
Eye candy for the blind: re-introducing Lyotard’s Acinema into discourses on excess, motion, and spectacle in contemporary Hollywood
By Simone Knox
![](https://nrftsjournal.org/wp-content/uploads/2021/11/most-popular-halloween-costumes-238563-1507747509769-main.700x0c-edited.jpg)
Torlasco’s “Philosophy in the Kitchen”: image, domestic labor, and the gendered embodiment of time
By Olivia Landry & Christinia Landry
![](https://nrftsjournal.org/wp-content/uploads/2021/11/Torlasco.png)
Rancière, Deleuze and contemporary film aesthetics
By Duncan Chesney
![](https://nrftsjournal.org/wp-content/uploads/2021/11/Ranciere-edited.jpeg)
The River Runs, The Round World Spins
By Alexander Seeonske
![](https://nrftsjournal.org/wp-content/uploads/2021/11/The-River-824x1024-1-edited.jpeg)
Untouchable: ‘disabling’ cinema’s contract on contact in The Diving Bell and the Butterfly
By Gregory Brophy
![](https://nrftsjournal.org/wp-content/uploads/2021/05/Brophy-1024x551.jpg)
The monogamous/promiscuous optics in contemporary gay film: registering the amorous couple in Weekend (2011) and Paris 05:59: Théo & Hugo (2016)
By Cüneyt Çakırlar & Gary Needham
![](https://nrftsjournal.org/wp-content/uploads/2021/05/Cakirlar-Needham-1024x431.jpg)
Reviews
![](https://nrftsjournal.org/wp-content/uploads/2021/04/Deleuze-Feminist-Rizzo.jpg)
Teresa Rizzo’s Deleuze and film: a feminist introduction
Reviewed by Janice Loreck
Laura McMahon’s Cinema and contact: the withdrawal of touch in Nancy, Bresson, Duras, and Denis
Reviewed by Tarja Laine
![](https://nrftsjournal.org/wp-content/uploads/2021/04/cinema-and-contact.jpg)
![](https://nrftsjournal.org/wp-content/uploads/2021/04/Agnes-Varda-between-film.jpg)
Rebecca J. DeRoo’s Agnès Varda between Film, Photography, and Art
Reviewed by Richard Neupert
Martin O’Shaughnessy’s Laurent Cantet
Reviewed by Rhiannon Harries
![](https://nrftsjournal.org/wp-content/uploads/2021/04/Cantet.jpg)
![](https://nrftsjournal.org/wp-content/uploads/2021/04/Deleuze-and-the-cinemas-of-performance-powers-of-affection.jpg)
Elena del Rio’s Deleuze and the cinemas of performance: powers of affection
Reviewed by William Brown
Hunter Vaughan’s Where film meets philosophy: Godard, Resnais, and experiments in cinematic thinking
Reviewed by Glen W. Norton
![](https://nrftsjournal.org/wp-content/uploads/2021/04/Vaughan-1-1.jpg)
![](https://nrftsjournal.org/wp-content/uploads/2022/05/The-Red-Years-of-Cahiers-du-Cinema-1968–1973.png)
Daniel Fairfax’s The Red Years of Cahiers du Cinéma (1968–1973)
Reviewed by Warren Buckland
Marion Schmid’s Chantal Akerman
Reviewed by Joseph Mai
![](https://nrftsjournal.org/wp-content/uploads/2023/07/9237E515-6A77-4208-8A16-7C16BC13F51D.jpeg)