Issue 22.4 (Winter 2024)


Articles

A “Solution to an Ongoing TV Problem”: The Rebooted Limited Series as Quality TV Format

By Molly A. Schneider

EXCERPT: TBA

More to the Picture than Meets the Eye: Ecocinema, Landscape, and James Benning’s Deseret

By Tyler Parks

EXCERPT: TBA

Rust Belt Grindhouse: Deadbeat at Dawn and the Gentrification of East Dayton’s Warehouse District

By Robert Gordon Joseph

EXCERPT: TBA

Live-Action Mistake: Mulan (2020), the Walt Disney Company, and Failure Analysis

By Peter Kunze

EXCERPT: TBA

TV Plus What? Data-Capital, Brand Extension, and Lock-in Effects in the Apple Ecosystem

By Colin Crawford

EXCERPT: TBA

A Dream Deferred: “Race”, Space and Urban Representation in the Films of Steve James

By Michael Romyn

EXCERPT: TBA

Beyond the Algorithm: Curating a Streaming Library for Documentaries

By Nora Stone

EXCERPT: TBA

Click here for Nora Stone’s tie-in blog post, ‘Here Today, Gone Tomorrow: Documentary Distribution After the Streaming Wars’

“The All-American Smile”: The Deconstruction of Robert Redford’s Star Persona in David Lowery’s The Old Man & the Gun

By Timothy Penner

EXCERPT: TBA

2024 SCMS Television Studies SIG Graduate Student Essay Prize Winner TBA


Reviews

Audiovisual Tourism Promotion: A Critical Review

Review by Liza Palmer

Audiovisual Tourism Promotion: A Critical Review, eds. Diego Bonelli & Alfio Leotta (Palgrave Macmillan, 2021)

Excerpt: TBA

Modern European Cinema and Love

Review by Kate Ince

Modern European Cinema and Love, Richard Rushton (Manchester UP, 2023)

Excerpt: TBA

Metaphysics and the Moving Image: Paradise Exposed

Review by Steven DeLay

Metaphysics and the Moving Image: Paradise Exposed, Trevor Mowchun (Edinburgh UP, 2023)

Excerpt: TBA

The Value Gap: Female-Driven Films from Pitch to Premiere

Review by Emma Lynn

The Value Gap: Female-Driven Films from Pitch to Premiere, Courtney Brannon Donoghue (University of Texas Press, 2023)

Excerpt: TBA