Peer-Reviewed Articles
Of fleas and Parasite: unpacking class and space in Bong Joon-ho’s Barking Dogs Never Bite
By Bonnie Tilland and Beth Tsai
‘Unique joy’: Netflix, pleasure and the shaping of queer taste
By Clara Bradbury-Rance
Melancholy, respectability, and credibility in Sean Baker’s Tangerine
By Paige Macintosh
Child spectators: towards a phenomenological perspective on the imaginary transformations of reality
By Bettina Henzler
‘Humanity rising from the depths of brine’: an oceanic politics in Disney’s Moana
By Kevin Chew
Cinematic cultures of descent: the other sides of the mountaineering story
By Eva-Maria Müller
Imagining Taking Tiger Mountain (by strategy): two landscapes of the Anthropocene, 1970 and 2014
By Sean Cubitt
Sonic modernities: capitalism, noise, and the city essay film
By Laura Rascaroli
Representing public service and post-militariness in Bodyguard (BBC,2018)
By Katy Parry
Suggestive verbalizations in film: on character speech and sensory imagination
By Julian Hanich
‘Englishmen could be proud then, George’: echoes of empire in Tinker Tailor Soldier Spy (BBC 1979)
By Philip Kiszely
From the extraordinary to the everyday: discourses on American quality serial television in Sweden’s leading newspapers and the breakthrough of streaming TV
By Joel Frykholm
The Poetics of Obsession: Understanding Kathryn Bigelow’s Characters
By Christa Van Raalte
How does she look?: Bigelow’s Vision/Visioning Bigelow
By Deborah Jermyn
A tale of two masculinities: Joaquin Phoenix, Todd Phillips, and Joker’s double can(n)on
By Misha Kavka
There’s something about Malick: film-philosophy, contemplative style, and ethics of transformation
By Martin P. Rossouw
Creeping decay: cult soundtracks, residual media, and digital technologies
By Jamie Sexton
Contingency, causality, complexity: distributed agency in the mind-game film
By Thomas Elsaesser
Media Archaeology as Symptom
By Thomas Elsaesser
Introductions to Special Issues
Towards a catalogue of cine-genres
By Nathan Holmes and Colin Williamson
Innovating the Frame: Kathryn Bigelow in Close-Up
By Frances Pheasant-Kelly
That joke isn’t funny anymore: a critical exploration of Joker: Introduction
By Sean Redmond
Radical rom-com: not an oxymoron
By Maria San Filippo
Breath: image and sound, an introduction
By Jean-Thomas Tremblay
What will film studies be? Film caught between the television revolution and the digital revolution
By Philippe Gauthier
Neoliberal theory and film studies
By Anna Cooper
Cult Cinema and Technological Change
By Matt Hills & Jamie Sexton
Film festivals: origins and trajectories
By Lydia Papadimitriou & Jeffery Ruoff
Imagining the post-forensic landscape: the crime drama on transnational television
By Paolo Russo & Lindsay Steenberg
