ARTICLES
‘Principles that transcend drugs or money or anything like that’: the monstrosity of morality in No Country for Old Men
By Michael Williams
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Nostalgically man dwells on this earth: objects and domestic space in The Royal Tenenbaums and The Darjeeling Ltd
By Stefano Baschiera
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Transmitting culture transnationally: the characterisation of parents in the police procedural
By Rosanne Welch
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Shameless, the push-pull of transatlantic fiction format adaptation, and star casting
By Simone Knox
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‘The truth is out there! Not!’: Shameless and the moral structures of contemporary social realism
By Glen Creeber
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