ARTICLES

Melancholy, Respectability, and Credibility in Sean Baker’s Tangerine

By Paige Macintosh

Did Neorealism start in church? Catholicism, cinema and the case of Mario Soldati’s Chi è Dio?

By Daniela Treveri Gennari and Marco Vanelli

Brooklyn: gendered Irish migration to the United States

By Carolina Rocha

Problems with Kubrick: reframing Stanley Kubrick through archival research

By James Fenwick