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20th Anniversary Editorial Team Picks
Adam Lowenstein and Max Bledstein on “Horror Film and Otherness” (Columbia University Press, 2022)
Cityscapes, Trance States and Wayfaring Women
Editor’s Picks
Featured Book Reviews
Frame Shifters and the Tinder of Television
Here Today, Gone Tomorrow: Documentary Distribution After the Streaming Wars
“Monsters All, Are We Not?”: An Interview with Julie Grossman and Will Scheibel
On Laughter and Survival: A Conversation between Barbara Jane Brickman and Katrin Horn on ‘Suffering Sappho! Lesbian Camp in American Popular Culture’
Take Time: The 71st Melbourne International Film Festival
Special Issues
“Feminist Film/Media Now” Special Issue 22.1 (Spring 2024)
“Queer/Trans Media Now” Special Issue 21.2 (Summer 2023)
“Cinematic Mountains” Special Issue 21.1 (Spring 2023)
“Renewing the Cine-genre: Pasts and Futures” Special Issue 20.1 (Spring 2022)
“Kathryn Bigelow: A Visionary Director” Special Issue 19.3 (Fall 2021)
“That Joke Isn’t Funny Anymore: A Critical Exploration of ‘Joker’” Special Issue 19.1 (Spring 2021)
“Radical Romantic Comedy” Special Issue 18.1 (Spring 2020)
Announcements
SCMS 2024 Off-Site Special Event Screening of ‘Slash/Back’ (2022), Talkback with filmmaker Nyla Innuksuk (joining remotely) & Reception!
SCMS Queer & Trans Caucus Chris Holmlund Graduate Student Writing Prize
SCMS Television Studies Scholarly Interest Group Graduate Student Essay Contest
Workshop: From Submission to Publication
Reading Lists
Anti-Colonialist Media Studies
Chinese-Language Film & Media
Class & Labor in Media
Democracy and Media
Early Cinema
Eco-Criticism
Film Festival Studies
Film Noir
Francophone Film
Holiday Grab Bag
Father’s Day
Mother’s Day
St. Patrick’s Day
Valentine’s/Galentine’s Day
Winter Holidays
Christmas
Kwanzaa
Hollywood
Horror Media Studies
Jewish Media Studies
Latinx Media Studies
LGBTQ+ Media Studies
Open Access
Peace & Conflict in Media
Racial Justice and Media
Topical & Teachable Media
Women’s Media Histories
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New Review of Film & Television Studies
Quarterly peer-reviewed journal of media studies, est. 2003
Home
Close-ups
Beauty and Fantasy: An Interview with Nicolas Winding Refn – Part 1
Becoming the Canvas: An Interview with Nicolas Winding Refn – Part 2
Beyond Identification: Daniel Morgan & Kyle Stevens Discuss Point of View and Camera Movement
The Bind of Exceptional Women: Alicia Kozma in Conversation on the Cinema of Stephanie Rothman
Casting Closets, Casting Spells: an Interview with Alfred L. Martin, Jr. & Andrew J. Owens
Cinema at the End of Empire: A Discussion on Late-Colonial Filmmaking and the Algerian War
“His favorite & his best film”: a conversation between Hamilton Carroll & Diane Negra on ‘Shadow of a Doubt’
Little Lindy Is Kidnapped: How the Media Covered the Crime of the Century
On Laughter and Survival: A Conversation between Barbara Jane Brickman and Katrin Horn on ‘Suffering Sappho! Lesbian Camp in American Popular Culture’
The Politics of Casting and Media Fandom: A Conversation between Kristen Warner and James Rendell
Porno Dialectics: An Interview with Heather Berg by Jennifer Moorman
On ‘The Process Genre’: An Interview with Salomé Aguilera Skvirsky
Quare Intimacies: Maria Flood & Victor Evans on ‘Moonlight’
Something Wilder: Noah Isenberg and Isabelle Freda in conversation on ‘Billy Wilder on Assignment’
Strategic Advocacy at the GLAAD Media Awards: An Interview with Rich Ferraro
Short Takes
Chasing Down Melancholia: Some Reflections on Writing about the Treatment of Empire in ‘Tinker Tailor Soldier Spy’ (1979)
Cinema and Subversion: Exploring the Ontologically Subversive Potential of Psychedelic Cinema
Cityscapes, Trance States and Wayfaring Women
Failures of Redescription in ‘The Rules of the Game’
“Fatal Attraction” Reboot Reviewed: Giving a Woman a Backstory as a Mentally Ill Murderer Does Not a Feminist Tale Make
Flipping Over ‘High Fidelity’
Frame Shifters and the Tinder of Television
In tribute to scholar and professor Thomas Elsaesser (1943-2019)
Lars von Trier: Beyond Depression
Narrative and Narration: Analyzing Cinematic Storytelling
Netflix, HBO Nordic, and “Glocalized” TV Series: The View from Sweden
“The Pandemic Special”: ‘South Park’’s Response to Covid
A Pitch of Polemics: Stanley Cavell and the Sound(s) of Scholarship
The Politics and Pedagogy of East Asian Cinema at an American University
The Red Years of Cahiers du Cinéma (1968–1973)
Stanley Kubrick and #MeToo
“Unknown, Unknown, Delaware, Unknown”: The Mind-Games of “Severance”
UNTOUCHABLE: a video essay
When popular media and political cultures collide: British notions of public service, post-military identity and institutional corruption in ‘Bodyguard’ (BBC 2018)
Roundtables
“Now Is the Time of Monsters”: A Roundtable on Contemporary Horror
White Riot: a ‘Joker’ Roundtable
Master Classes
A Companion Glossary for “Suggestive Verbalizations in Film”
Open Access content from ‘NRFTS’
Pedagogical Adventures in Cinematic Space
Topical & Teachable Media
UNTOUCHABLE: a video essay
Festival Reports
Film Festival Studies Reading List
Sundance After Two Years (Online) and Over Three Decades
Take Time: The 71st Melbourne International Film Festival
Podcasts
Adam Lowenstein and Max Bledstein on “Horror Film and Otherness” (Columbia University Press, 2022)
Carl Sweeney interviews Stacey Abbott, author of BFI Classics book on Kathryn Bigelow’s NEAR DARK
Diana W. Anselmo and Maggie Hennefeld on “A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood”
“Monsters All, Are We Not?”: An Interview with Julie Grossman and Will Scheibel
Quare Intimacies: Maria Flood & Victor Evans on MOONLIGHT
Ryan Engley and Todd McGowan on “Theorizing the Bottle Episode”
Book Reviews
Aline MacMahon: Hollywood, the Blacklist, and the Birth of Method Acting
Lars von Trier: Beyond Depression
Narrative and Narration: Analyzing Cinematic Storytelling
Queer Imaginings: On Writing and Cinematic Friendship
The Red Years of Cahiers du Cinéma (1968–1973)
Sofia Coppola: Forever Young
Home
Close-ups
- Beauty and Fantasy: An Interview with Nicolas Winding Refn – Part 1
- Becoming the Canvas: An Interview with Nicolas Winding Refn – Part 2
- Beyond Identification: Daniel Morgan & Kyle Stevens Discuss Point of View and Camera Movement
- The Bind of Exceptional Women: Alicia Kozma in Conversation on the Cinema of Stephanie Rothman
- Casting Closets, Casting Spells: an Interview with Alfred L. Martin, Jr. & Andrew J. Owens
- Cinema at the End of Empire: A Discussion on Late-Colonial Filmmaking and the Algerian War
- “His favorite & his best film”: a conversation between Hamilton Carroll & Diane Negra on ‘Shadow of a Doubt’
- Little Lindy Is Kidnapped: How the Media Covered the Crime of the Century
- On Laughter and Survival: A Conversation between Barbara Jane Brickman and Katrin Horn on ‘Suffering Sappho! Lesbian Camp in American Popular Culture’
- The Politics of Casting and Media Fandom: A Conversation between Kristen Warner and James Rendell
- Porno Dialectics: An Interview with Heather Berg by Jennifer Moorman
- On ‘The Process Genre’: An Interview with Salomé Aguilera Skvirsky
- Quare Intimacies: Maria Flood & Victor Evans on ‘Moonlight’
- Something Wilder: Noah Isenberg and Isabelle Freda in conversation on ‘Billy Wilder on Assignment’
- Strategic Advocacy at the GLAAD Media Awards: An Interview with Rich Ferraro
Short Takes
- Chasing Down Melancholia: Some Reflections on Writing about the Treatment of Empire in ‘Tinker Tailor Soldier Spy’ (1979)
- Cinema and Subversion: Exploring the Ontologically Subversive Potential of Psychedelic Cinema
- Cityscapes, Trance States and Wayfaring Women
- Failures of Redescription in ‘The Rules of the Game’
- “Fatal Attraction” Reboot Reviewed: Giving a Woman a Backstory as a Mentally Ill Murderer Does Not a Feminist Tale Make
- Flipping Over ‘High Fidelity’
- Frame Shifters and the Tinder of Television
- In tribute to scholar and professor Thomas Elsaesser (1943-2019)
- Lars von Trier: Beyond Depression
- Narrative and Narration: Analyzing Cinematic Storytelling
- Netflix, HBO Nordic, and “Glocalized” TV Series: The View from Sweden
- “The Pandemic Special”: ‘South Park’’s Response to Covid
- A Pitch of Polemics: Stanley Cavell and the Sound(s) of Scholarship
- The Politics and Pedagogy of East Asian Cinema at an American University
- The Red Years of Cahiers du Cinéma (1968–1973)
- Stanley Kubrick and #MeToo
- “Unknown, Unknown, Delaware, Unknown”: The Mind-Games of “Severance”
- UNTOUCHABLE: a video essay
- When popular media and political cultures collide: British notions of public service, post-military identity and institutional corruption in ‘Bodyguard’ (BBC 2018)
Roundtables
- “Now Is the Time of Monsters”: A Roundtable on Contemporary Horror
- White Riot: a ‘Joker’ Roundtable
Master Classes
- A Companion Glossary for “Suggestive Verbalizations in Film”
- Open Access content from ‘NRFTS’
- Pedagogical Adventures in Cinematic Space
- Topical & Teachable Media
- UNTOUCHABLE: a video essay
Festival Reports
- Film Festival Studies Reading List
- Sundance After Two Years (Online) and Over Three Decades
- Take Time: The 71st Melbourne International Film Festival
Podcasts
- Adam Lowenstein and Max Bledstein on “Horror Film and Otherness” (Columbia University Press, 2022)
- Carl Sweeney interviews Stacey Abbott, author of BFI Classics book on Kathryn Bigelow's NEAR DARK
- Diana W. Anselmo and Maggie Hennefeld on “A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood”
- “Monsters All, Are We Not?”: An Interview with Julie Grossman and Will Scheibel
- Quare Intimacies: Maria Flood & Victor Evans on MOONLIGHT
- Ryan Engley and Todd McGowan on “Theorizing the Bottle Episode”
Book Reviews
- Aline MacMahon: Hollywood, the Blacklist, and the Birth of Method Acting
- Lars von Trier: Beyond Depression
- Narrative and Narration: Analyzing Cinematic Storytelling
- Queer Imaginings: On Writing and Cinematic Friendship
- The Red Years of Cahiers du Cinéma (1968–1973)
- Sofia Coppola: Forever Young
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